Jim pollocl printpress1/4/2023 He adds: “When I am printing, it’s more how to show people the process. And since I’m in the studio so much, this is a lot less lonely.” It’s always fun, and Watkins Glen is beautiful. “I’m excited-this is my seventh festival with Phish. It’s a little bit of performance, a bit of art, some performance art,” he says. “People seem to be excited about watching me print stuff. I won’t be as productive, print-wise, as I was at The Great Went, but that’s a good thing-this thing that I’ve created has stood the test of time,” he says, referring to the 18-year gap between his first and fourth turns printing live onsite at a Phish festival. I’ll probably be doing printing as more of a demonstration, and even letting some others try it perhaps. “I’ll be printing and talking with friends and familiar faces from this community. Pollock does not expect to be as busy with printing at Magnaball as he was at The Great Went, but he does look forward to offering demonstrations of his work. “It was one of those points when I was printing in front of people and began to present myself as a linoleum-block poster artist.” I don’t know what happened there, but I developed a confidence in my art because of the response to it,” recalls Pollock. Though he was already well known for his role as the artist of many early Phish designs-Junta’s cover art and noses, for starters-the Chicago-based artist scored a much larger fan base at The Great Went, Phish’s second camping festival, in 1997. Those themes can be found through the various art installations that dot the festival’s site and, in particular, when it comes to the art of Jim Pollock.įew names are as closely associated with Phish’s events as Pollock’s. Magnaball is a music event, first and foremost, but throughout the weekend, the festival will also place a focus on art and science.
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